Skip Navigation Links
Main page
History
Themes
Tourism
Education
Search
Temaer
Skip Navigation Links
HistoryExpand History
Skip Navigation Links
ThemesExpand Themes
TourismExpand Tourism
EducationExpand Education

Skip Navigation Links
Picture categoryExpand Picture category
Skip Navigation Links
Time lineExpand Time line

Art Nouveau

*

The period 1900-1940 is where the industrial society and the rules of the parliamentary system set in.

The development of a new transport and communication technology created new possibilities for co-operation in the Sound region

Helsingborg as Example
If you want to follow the development from historicism´s style imitation at the end of the century via jugend and art nouveau to the ideal of modernism, Helsingborg is a fine example. Helsingborg expanded heavily in the end of the 19th century and the beginning of the 20th century and a great need for new buildings was the result. The architectural styles, which marked this period were therefore richly represented in the town. Classic style imitation can be found to a great extent. At Stortorget´s (the great square) upper part is the medieval inspired terrace and around the square there are many style imitations, for instance the Scania Bank building (opposite the post office) with baroque imitations and the Trade Bank from 1904 with antique touches. The city architect Alfred Hellerström designed the Trade Bank and he also designed Helsingborg´s town hall and the university library in Lund, both in neo-gothic monumental style.
Alfred Hellerström was then inspired to design buildings in the jugend style, which immediately after the turn of the century had a short, but important influence on especially the upper-class milieu. Immediately before 1910 an entire villa neighbourhood in this style was built in the Olympia district. Besides Hellerström several other architects participated in the designing of these jugend style neighbourhoods, among them Carl Rosenius and Ola Anderson. The houses had round towers and round corners, arched frontons, varied window styles and many ornaments, altogether a clear break from the 19th century´s strict building styles.
A strange building, in the transition period between classicism and modernism is the crematorium from 1929. It was designed by Ragnar Östberg, who is mostly known as the architect behind the town hall in Stockholm. The dome of the crematorium, which inside is carried by classic columns, has a historicist element, but the smooth surface points towards a pure modernism.
The Terrace in Helsingborg
The Terrace in Helsingborg
Scania Bank
Scania Bank
The Art Nouveau District in Helsingborg
The Art Nouveau District in Helsingborg
The Art Nouveau District in Helsingborg
The Art Nouveau District in Helsingborg
The Art Nouveau District in Helsingborg
The Art Nouveau District in Helsingborg
The Art Nouveau District in Helsingborg
The Art Nouveau District in Helsingborg
The Crematorium in Helsingborg
The Crematorium in Helsingborg
The Crematorium in Helsingborg
The Crematorium in Helsingborg

©  Øresundstid 2009